YELLOW ART SHOW


 

 

 

 

 

Grey Cube Gallery proudly presents the fifth Yellow online art show for the month of November 2025. The show encompassed a range of artistic styles and mediums (acrylic, oil on canvas, ceramic, ink, photography, watercolor, pastel, digital art, cast bronze). Each submission has been judged based on the following elements of artistic expression: orginality and quality of art, overall design, creativity, interpretation of the theme, demonstration of artistic ability and usage of medium. Out of all entries, 60 artworks were shortlisted for inclusion in the show. The competition attracted entries from many countries across the world: Mexico, Switzerland, USA, Canada, Australia, Hong Kong, Taiwan, Israel, Ireland. Enjoy the show and thank you for expressing an interest in our competition.

 

 

 

 

BEST OF SHOW

IMage

 

Raymond Quenneville - La Petite Maison Jaune

oil on canvas

 

 

Born in 1956 in Trois-Rivières, Quebec (Canada), Raymond Quenneville is a self-taught artist who has been painting for over 50 years. In 1992, after having explored a variety of media, he went back to oil painting, and decided to pursue his own unique style in expressing landscape and light. By playing with complementary colours, Raymond Quenneville accentuates contrasts and creates impressive luminous effects. In his landscape paintings, subtle values variations almost make visible the fine consistency of the air itself and create an illusion of depth that is convincing to the eye. He likes to paint peaceful environments, expressing serenity and equanimity of places where it is good to stop and just be for a moment. Raymond Quenneville has held many solo exhibitions and participated in numerous collective exhibitions and symposia. Winner of several national and international awards he has received many special mentions from juries and the public. He is a member of the Institut des arts figuratifs (IAF), of the Society of Canadian Artists (SCA), of the Mondial Art Academia (MAA) and has been nominated as Master of Fine Arts by the Académie internationale des beaux-arts du Québec (AIBAQ). There is a permanent exhibition of his work in renowned art galleries distributed across Canada and United States.

 

 

 

 

FIRST PLACE

IMage

 

Rebecca Harvey - Fence

ceramic

 

 

I have long been drawn to the color yellow. Of all the colors, it is the only one that seems to give back more light than it receives. My forms play with the line between recognition and understanding. Rearranged and abstracted, they exist in an arena between the idea of an object and the object itself. Color is intense, floating above the surface, setting the push/pull of positive and negative space. I play with reflection and absorption, using one to measure the other, lining and misaligning shape and surface. Sometimes the arrangement almost pulls together, smudges, the sounds the shapes make full and strange in your mouth, just beyond the grasp of understanding.

 

 

 

 

SECOND PLACE

IMage

 

Linda McCord - Around the Horn

acrylic on canvas

 

 

My realistic figure paintings focus on the beauty of light, shadow, and form. I strive to capture not just physical likeness, but also the mood and inner life of my subjects. Each composition is carefully constructed, using strong value contrasts and thoughtful design to reveal quiet moments of humanity and connection.

 

 

 

 

THIRD PLACE

IMage

 

Holger A. Baehr - Valley of Enchantment

acrylic on canvas

 

 

Rooted in the evocative landscapes of Ireland, my work captures the essence of place through an innovative approach to acrylic on canvas. Using layering and sketching techniques, I often immerse myself in a series of paintings simultaneously, creating a natural harmony within the body of work. While some pieces stand alone, others resonate as a series meant to be experienced side by side. My inspiration is deeply tied to my surroundings. Painting from memory rather than direct references, I draw from countless journeys through the Irish countryside, particularly the serene Shannon region where I live. This approach allows me to infuse each composition with the fleeting yet enduring impressions of light, texture, and atmosphere. Recently, I’ve explored Heidelberg, focusing on landscapes over traditional architecture. My impressionistic studies emphasize the river, light, and distinct red hues of local stone. The scenes, though recognizable as landscapes, lean into abstraction, breaking forms into their elemental essence and capturing the unique climate and spirit of a moment. Each piece invites viewers to experience landscapes in their own way—some demand distance for their fullness, while others reveal intricate layers upon closer examination. This dual perspective fosters a personal connection, evoking memories of places visited or long forgotten. By eliminating distractions like animals, people, or buildings, my paintings focus on meditative beauty, reacting to visual and atmospheric elements. This creates an intimate, calming experience for myself and those who engage with my work. My aim is to evoke an unexpected moment of connection, transporting viewers to a place of quiet reflection and shared memory.

 

 

 

 

 

 

MERIT AWARD

 

 

 

 

IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage

 

 

 

 

HONORABLE MENTION

 

 

 

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

IMage

 

 

 

 

 

FINALISTS

 

 

 

 

IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage
IMage